{"id":943,"date":"2021-06-02T14:09:03","date_gmt":"2021-06-02T12:09:03","guid":{"rendered":"http:\/\/beethoven.org.pl\/recenzje\/?page_id=943"},"modified":"2021-10-28T10:33:20","modified_gmt":"2021-10-28T08:33:20","slug":"marcin-majchrowski-ruch-muzyczny","status":"publish","type":"page","link":"https:\/\/beethoven.org.pl\/recenzje\/en\/marcin-majchrowski-ruch-muzyczny\/","title":{"rendered":"Marcin Majchrowski &#8220;Ruch Muzyczny&#8221;"},"content":{"rendered":"<p>\u201cChamber music is a meeting of players, \u2026 it is building a relationship\u201d \u2013 says Agnieszka Zahaczewska-Ksi\u0105\u017cek in her commentary for the album. The first CD of the Ksi\u0105\u017cek Piano Duo came out almost eight years after their debut, but it was well worth the wait. Almost every sound shows good ensemble playing and perfect communication between the musicians (privately a married couple). Their interpretations are outstanding, engaging with sensitivity and fantastic timbre. The record is highly recommended also on account of the repertoire. (Marcin Majchrowski)<\/p>\n<p><a href=\"https:\/\/www.ruchmuzyczny.pl\/article\/953\">https:\/\/www.ruchmuzyczny.pl\/article\/953<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>\u201cChamber music is a meeting of players, \u2026 it is building a relationship\u201d \u2013 says Agnieszka Zahaczewska-Ksi\u0105\u017cek in her commentary for the album. The first CD of the Ksi\u0105\u017cek Piano Duo came out almost eight years after their debut, but it was well worth the wait. Almost every sound shows good ensemble playing and perfect [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-943","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/en\/wp-json\/wp\/v2\/pages\/943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/en\/wp-json\/wp\/v2\/comments?post=943"}],"version-history":[{"count":2,"href":"https:\/\/beethoven.org.pl\/recenzje\/en\/wp-json\/wp\/v2\/pages\/943\/revisions"}],"predecessor-version":[{"id":1001,"href":"https:\/\/beethoven.org.pl\/recenzje\/en\/wp-json\/wp\/v2\/pages\/943\/revisions\/1001"}],"wp:attachment":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/en\/wp-json\/wp\/v2\/media?parent=943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}