{"id":85,"date":"2016-11-30T20:21:14","date_gmt":"2016-11-30T19:21:14","guid":{"rendered":"http:\/\/dev.yoho.pl\/beethoven\/recenzje\/?page_id=85"},"modified":"2016-12-02T13:46:19","modified_gmt":"2016-12-02T12:46:19","slug":"anna-wozniakowska-dziennik-polski-14-02-2011","status":"publish","type":"page","link":"https:\/\/beethoven.org.pl\/recenzje\/anna-wozniakowska-dziennik-polski-14-02-2011\/","title":{"rendered":"Anna Wo\u017aniakowska, \u201eDziennik Polski\u201d, 14.02.2011"},"content":{"rendered":"<p><strong>\u201ePot\u0119pienie Fausta\u201d Hectora Berlioza (M\u00e9phistoph\u00e9l\u00e8s), Filharmonia Krakowska, 2011<\/strong><br \/>\n<em>(\u2026) Wielkim walorem tej prezentacji \u201ePot\u0119pienia Fausta\u201d byli soli\u015bci. Wprawdzie \u015bpiewaj\u0105cy parti\u0119 Fausta Pavlo Tolstoy (tenor) w duecie z Ma\u0142gorzat\u0105 raz i drugi ratowa\u0142 si\u0119 falsetem na wysokich d\u017awi\u0119kach, ale interpretacja ca\u0142o\u015bci partii by\u0142a udana. Bardzo dobrym Mefistofelesem by\u0142 Wojciech Gierlach (bas). (\u2026) Tak pi\u0119kne ca\u0142o\u015bciowo interpretacje nie zdarzaj\u0105 si\u0119 cz\u0119sto.\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>\u201ePot\u0119pienie Fausta\u201d Hectora Berlioza (M\u00e9phistoph\u00e9l\u00e8s), Filharmonia Krakowska, 2011 (\u2026) Wielkim walorem tej prezentacji \u201ePot\u0119pienia Fausta\u201d byli soli\u015bci. Wprawdzie \u015bpiewaj\u0105cy parti\u0119 Fausta Pavlo Tolstoy (tenor) w duecie z Ma\u0142gorzat\u0105 raz i drugi ratowa\u0142 si\u0119 falsetem na wysokich d\u017awi\u0119kach, ale interpretacja ca\u0142o\u015bci partii by\u0142a udana. Bardzo dobrym Mefistofelesem by\u0142 Wojciech Gierlach (bas). (\u2026) Tak pi\u0119kne ca\u0142o\u015bciowo interpretacje [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-85","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/85","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/comments?post=85"}],"version-history":[{"count":1,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/85\/revisions"}],"predecessor-version":[{"id":86,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/85\/revisions\/86"}],"wp:attachment":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/media?parent=85"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}