{"id":543,"date":"2017-05-24T11:15:19","date_gmt":"2017-05-24T09:15:19","guid":{"rendered":"http:\/\/beethoven.org.pl\/recenzje\/?page_id=543"},"modified":"2017-05-24T11:22:07","modified_gmt":"2017-05-24T09:22:07","slug":"english-szymon-nehring-fryderyk-chopin-piano-concertos-sinfonietta-cracovia-dux","status":"publish","type":"page","link":"https:\/\/beethoven.org.pl\/recenzje\/english-szymon-nehring-fryderyk-chopin-piano-concertos-sinfonietta-cracovia-dux\/","title":{"rendered":"Szymon Nehring, Fryderyk Chopin, Piano Concertos, Sinfonietta Cracovia, DUX"},"content":{"rendered":"<p>Szymon Nehring, finalista Konkursu Chopinowskiego w 2015 roku, pracuje nad sob\u0105. W jego talent wierz\u0105 wielcy muzycy: stypendium dla niego ufundowa\u0142 Krystian Zimerman. Koncert e-moll nagrany z Sinfoniett\u0105 Cracovi\u0105 pod dyrekcj\u0105 Krzysztofa PEndereciego brzmi na tej p\u0142ycie lepiej ni\u017c na konkursie. Ale ciekaw\u0105 propozycj\u0105 jest Koncert f-moll (pod batut\u0105 Jurka Dyba\u0142a), kt\u00f3ry Nehring wprowadzi\u0142 do swojego repertuaru niedawno \u2013 brzmi \u015bwie\u017co i naturalnie. P\u0142yta \u201emust have\u201d dla fan\u00f3w pianisty.<\/p>\n<p>Anna S. D\u0119bowska, Gazeta Wyborcza, 10 luty 2017 roku<\/p>","protected":false},"excerpt":{"rendered":"<p>Szymon Nehring, finalista Konkursu Chopinowskiego w 2015 roku, pracuje nad sob\u0105. W jego talent wierz\u0105 wielcy muzycy: stypendium dla niego ufundowa\u0142 Krystian Zimerman. Koncert e-moll nagrany z Sinfoniett\u0105 Cracovi\u0105 pod dyrekcj\u0105 Krzysztofa PEndereciego brzmi na tej p\u0142ycie lepiej ni\u017c na konkursie. Ale ciekaw\u0105 propozycj\u0105 jest Koncert f-moll (pod batut\u0105 Jurka Dyba\u0142a), kt\u00f3ry Nehring wprowadzi\u0142 do [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-543","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/comments?post=543"}],"version-history":[{"count":3,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/543\/revisions"}],"predecessor-version":[{"id":546,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/543\/revisions\/546"}],"wp:attachment":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/media?parent=543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}