{"id":360,"date":"2017-01-04T13:21:21","date_gmt":"2017-01-04T12:21:21","guid":{"rendered":"http:\/\/dev.yoho.pl\/beethoven\/recenzje\/?page_id=360"},"modified":"2017-01-04T13:21:21","modified_gmt":"2017-01-04T12:21:21","slug":"jakub-m-lis-polskamuza-eu-25-marca-2012","status":"publish","type":"page","link":"https:\/\/beethoven.org.pl\/recenzje\/jakub-m-lis-polskamuza-eu-25-marca-2012\/","title":{"rendered":"Jakub M. Lis, \u201epolskamuza.eu\u201d, 25 marca 2012"},"content":{"rendered":"<p><em>(Ewa Biegas i Agnieszka Rehlis) idealnie odnalaz\u0142y si\u0119 w nie\u0142atwej muzyce Straussa, tworz\u0105c role doskona\u0142e zar\u00f3wno pod wzgl\u0119dem aktorskim, jak i wokalnym. (\u2026) D\u017awi\u0119czny i soczysty mezzosopran Rehlis elektryzowa\u0142 szczeg\u00f3lnie przy okazji wydobywania wysokich d\u017awi\u0119k\u00f3w, kt\u00f3re osi\u0105ga\u0142a z lekko\u015bci\u0105.<\/em><\/p>\n<p>http:\/\/www.polskamuza.eu\/wywiady.php?id=537<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>(Ewa Biegas i Agnieszka Rehlis) idealnie odnalaz\u0142y si\u0119 w nie\u0142atwej muzyce Straussa, tworz\u0105c role doskona\u0142e zar\u00f3wno pod wzgl\u0119dem aktorskim, jak i wokalnym. (\u2026) D\u017awi\u0119czny i soczysty mezzosopran Rehlis elektryzowa\u0142 szczeg\u00f3lnie przy okazji wydobywania wysokich d\u017awi\u0119k\u00f3w, kt\u00f3re osi\u0105ga\u0142a z lekko\u015bci\u0105. http:\/\/www.polskamuza.eu\/wywiady.php?id=537 &nbsp;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-360","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/comments?post=360"}],"version-history":[{"count":1,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/360\/revisions"}],"predecessor-version":[{"id":361,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/360\/revisions\/361"}],"wp:attachment":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/media?parent=360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}