{"id":356,"date":"2015-01-04T13:16:57","date_gmt":"2015-01-04T12:16:57","guid":{"rendered":"http:\/\/dev.yoho.pl\/beethoven\/recenzje\/?page_id=356"},"modified":"2017-01-04T13:24:44","modified_gmt":"2017-01-04T12:24:44","slug":"356-2","status":"publish","type":"page","link":"https:\/\/beethoven.org.pl\/recenzje\/356-2\/","title":{"rendered":""},"content":{"rendered":"<p><em>Wydarzenie by\u0142o niesamowite, publiczno\u015b\u0107 entuzjastyczna, du\u017co m\u0142odych ludzi by\u0142o obecnych. Mi\u0142o by\u0142o by\u0107 tego \u015bwiadkiem. By\u0142em przede wszystkim pod wra\u017ceniem partii ch\u00f3ralnych i g\u0142osu Agnieszki Rehlis (Hagar) i Micha\u0142a Wajdy-Ch\u0142opickiego (kontratenor), ale wszyscy \u015bpiewacy wypadli bardzo dobrze, bior\u0105c pod uwag\u0119 ich dramatyczne partie<\/em><\/p>\n<p>bernalopera.wordpress.com\/2014\/06\/26\/moby-dick-in-warsaw\/<\/p>","protected":false},"excerpt":{"rendered":"<p>Wydarzenie by\u0142o niesamowite, publiczno\u015b\u0107 entuzjastyczna, du\u017co m\u0142odych ludzi by\u0142o obecnych. Mi\u0142o by\u0142o by\u0107 tego \u015bwiadkiem. By\u0142em przede wszystkim pod wra\u017ceniem partii ch\u00f3ralnych i g\u0142osu Agnieszki Rehlis (Hagar) i Micha\u0142a Wajdy-Ch\u0142opickiego (kontratenor), ale wszyscy \u015bpiewacy wypadli bardzo dobrze, bior\u0105c pod uwag\u0119 ich dramatyczne partie bernalopera.wordpress.com\/2014\/06\/26\/moby-dick-in-warsaw\/<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-356","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/comments?post=356"}],"version-history":[{"count":1,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/356\/revisions"}],"predecessor-version":[{"id":357,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/356\/revisions\/357"}],"wp:attachment":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/media?parent=356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}