{"id":354,"date":"2016-01-04T13:14:56","date_gmt":"2016-01-04T12:14:56","guid":{"rendered":"http:\/\/dev.yoho.pl\/beethoven\/recenzje\/?page_id=354"},"modified":"2017-01-04T13:24:02","modified_gmt":"2017-01-04T12:24:02","slug":"ocean-jak-wirujacy-wszechswiat-wieslaw-kowalski-teatr-dla-was-link-do-zrodla-29-06-2014","status":"publish","type":"page","link":"https:\/\/beethoven.org.pl\/recenzje\/ocean-jak-wirujacy-wszechswiat-wieslaw-kowalski-teatr-dla-was-link-do-zrodla-29-06-2014\/","title":{"rendered":"&#8221;Ocean jak wiruj\u0105cy wszech\u015bwiat&#8221; Wies\u0142aw Kowalski Teatr dla Was Link do \u017ar\u00f3d\u0142a  29-06-2014"},"content":{"rendered":"<p><em>Wizja zaproponowana przez Wysock\u0105 tworzy dzie\u0142o sp\u00f3jne, inscenizacyjnie domkni\u0119te i homogeniczne. Na szczeg\u00f3ln\u0105 uwag\u0119 zas\u0142uguje najciekawszy w wyrazie aktorsko-wokalnym Ralf Lukas w roli Ahaba i Agnieszka Rehlis jako Hagar<\/em><\/p>\n<p>http:\/\/www.e-teatr.pl\/pl\/artykuly\/185642.html<\/p>","protected":false},"excerpt":{"rendered":"<p>Wizja zaproponowana przez Wysock\u0105 tworzy dzie\u0142o sp\u00f3jne, inscenizacyjnie domkni\u0119te i homogeniczne. Na szczeg\u00f3ln\u0105 uwag\u0119 zas\u0142uguje najciekawszy w wyrazie aktorsko-wokalnym Ralf Lukas w roli Ahaba i Agnieszka Rehlis jako Hagar http:\/\/www.e-teatr.pl\/pl\/artykuly\/185642.html<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-354","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/comments?post=354"}],"version-history":[{"count":1,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/354\/revisions"}],"predecessor-version":[{"id":355,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/354\/revisions\/355"}],"wp:attachment":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/media?parent=354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}