{"id":130,"date":"2016-12-14T12:44:50","date_gmt":"2016-12-14T11:44:50","guid":{"rendered":"http:\/\/dev.yoho.pl\/beethoven\/recenzje\/?page_id=130"},"modified":"2016-12-14T12:44:50","modified_gmt":"2016-12-14T11:44:50","slug":"tomasz-jakub-handzlik-gazeta-wyborcza-23-03-2005-zagrali-pieknie","status":"publish","type":"page","link":"https:\/\/beethoven.org.pl\/recenzje\/tomasz-jakub-handzlik-gazeta-wyborcza-23-03-2005-zagrali-pieknie\/","title":{"rendered":"Tomasz Jakub Handzlik, Gazeta Wyborcza 23.03.2005 &#8211; &#8222;Zagrali pi\u0119knie&#8221;"},"content":{"rendered":"<p>M\u0142odzie\u0144cza werwa w po\u0142\u0105czeniu z mistrzowsk\u0105 precyzj\u0105 znakomicie malowa\u0142y si\u0119 w otwieraj\u0105cej koncert Beethovenowskiej uwerturze do baletu \u201eDie Gesch\u00f6pfe des Prometheus\u201d czy w kulminacyjnym podczas tego wieczoru Koncercie skrzypcowym e-moll Felixa Mendelssohna-Bartholdy&#8217;ego, gdzie naszym muzykom towarzyszy\u0142a korea\u0144ska skrzypaczka So-Ock Kim.<\/p>\n<p>Tomasz Jakub Handzlik, Gazeta Wyborcza 23.03.2005 &#8211; &#8222;Zagrali pi\u0119knie&#8221;<\/p>","protected":false},"excerpt":{"rendered":"<p>M\u0142odzie\u0144cza werwa w po\u0142\u0105czeniu z mistrzowsk\u0105 precyzj\u0105 znakomicie malowa\u0142y si\u0119 w otwieraj\u0105cej koncert Beethovenowskiej uwerturze do baletu \u201eDie Gesch\u00f6pfe des Prometheus\u201d czy w kulminacyjnym podczas tego wieczoru Koncercie skrzypcowym e-moll Felixa Mendelssohna-Bartholdy&#8217;ego, gdzie naszym muzykom towarzyszy\u0142a korea\u0144ska skrzypaczka So-Ock Kim. Tomasz Jakub Handzlik, Gazeta Wyborcza 23.03.2005 &#8211; &#8222;Zagrali pi\u0119knie&#8221;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-130","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/comments?post=130"}],"version-history":[{"count":1,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/130\/revisions"}],"predecessor-version":[{"id":131,"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/pages\/130\/revisions\/131"}],"wp:attachment":[{"href":"https:\/\/beethoven.org.pl\/recenzje\/wp-json\/wp\/v2\/media?parent=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}