{"id":803,"date":"2018-01-15T11:25:34","date_gmt":"2018-01-15T10:25:34","guid":{"rendered":"http:\/\/beethoven.org.pl\/?p=803"},"modified":"2018-01-15T12:03:29","modified_gmt":"2018-01-15T11:03:29","slug":"najlepszy-koncert-2017-roku","status":"publish","type":"post","link":"https:\/\/beethoven.org.pl\/en\/blog\/2018\/01\/15\/najlepszy-koncert-2017-roku\/","title":{"rendered":"Best Orchestral Concert 2017"},"content":{"rendered":"<p>The S\u00e3o Paulo Symphony Orchestra, Krzysztof Penderecki and Isabelle Faust have received a prize from the Brazilian Concert magazine for the \u201cBest Orchestral Concert 2017\u201d. The concert at the Sala S\u00e3o Paulo (September 2017) under the baton of Krzysztof Penderecki featured his Hymn to St. Daniil and Symphony No. 4 as well as Karol Szymanowski\u2019s Violin Concerto No. 1 (soloist Isabelle Faust).<\/p>","protected":false},"excerpt":{"rendered":"<p>The S\u00e3o Paulo Symphony Orchestra, Krzysztof Penderecki and Isabelle Faust have received a prize from the Brazilian Concert magazine for the \u201cBest Orchestral Concert 2017\u201d. The concert at the Sala S\u00e3o Paulo (September 2017) under the baton of Krzysztof Penderecki featured his Hymn to St. Daniil and Symphony No. 4 as well as Karol Szymanowski\u2019s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-803","post","type-post","status-publish","format-standard","hentry","category-bez-kategorii"],"_links":{"self":[{"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/posts\/803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/comments?post=803"}],"version-history":[{"count":3,"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/posts\/803\/revisions"}],"predecessor-version":[{"id":807,"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/posts\/803\/revisions\/807"}],"wp:attachment":[{"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/media?parent=803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/categories?post=803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/beethoven.org.pl\/en\/wp-json\/wp\/v2\/tags?post=803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}