{"id":1362,"date":"2017-04-10T11:15:07","date_gmt":"2017-04-10T09:15:07","guid":{"rendered":"http:\/\/beethoven.org.pl\/artysci\/?page_id=1362"},"modified":"2017-04-11T10:22:36","modified_gmt":"2017-04-11T08:22:36","slug":"thomas-e-bauer","status":"publish","type":"page","link":"https:\/\/beethoven.org.pl\/artysci\/thomas-e-bauer\/","title":{"rendered":"Thomas E. Bauer"},"content":{"rendered":"<p><strong>Thomas E. Bauer<\/strong> \u2013 rozchwytywany na ca\u0142ym \u015bwiecie baryton, specjalizuj\u0105cy si\u0119 w muzyce koncertowej. Wyst\u0119powa\u0142 na scenie z Boston Symphony (Bernard Haitink), Concentus Musicus (Nikolaus Harnoncourt), Leipzig Gewandhaus (Herbert Blomstedt, Riccardo Chailly i Sir John Eliot Gardiner), waszyngto\u0144sk\u0105 National Symphony (Ivan Fischer) oraz Orkiestr\u0105 Opery w Zurychu (\u00c1d\u00e1m Fischer). Niedawno, pod batut\u0105 Ingo Metzmachera, \u015bpiewa\u0142 <em>\u0141azarza<\/em> Schuberta podczas Festiwalu w Salzburgu, a tak\u017ce <em>Drabin\u0119 Jakubow\u0105 <\/em>Sch\u00f6nberga z Deutsches Symphonie-Orchester w Filharmonii Berli\u0144skiej.<\/p>\n<p>W\u015br\u00f3d projekt\u00f3w artysty na sezon 2016\/17 znalaz\u0142y si\u0119: prapremiera <em>Arche<\/em> J\u00f6rga Widmanna w Elbphilharmonie w Hamburgu (Kent Nagano), <em>IX Symfonia<\/em> Beethovena z Orkiestr\u0105 Symfoniczn\u0105 D\u00fcsseldorfu (\u00c1d\u00e1m Fischer), <em>Sceny z Fausta Goethego<\/em> Schumanna z Narodow\u0105 Du\u0144sk\u0105 Orkiestr\u0105 Symfoniczn\u0105 (Michael Sch\u00f8nwandt), <em>Pie\u015bni w\u0119druj\u0105cego czeladnika<\/em> Mahlera z Kristiansand Symphony Orchestra (Giordano Bellincampi) oraz prapremiera <em>\u00dcber Liebe und Hass<\/em> Sofii Gubaiduliny z Dresden Staatskapelle.<\/p>\n<p>Thomas E. Bauer odnosi tak\u017ce sukcesy w repertuarze pie\u015bniowym, cz\u0119sto wyst\u0119puj\u0105c z wytrawnym pianist\u0105 Josem van Immerseelem. Ponadto regularnie wsp\u00f3\u0142pracuje z pianist\u0105 i kompozytorem Kitem Armstrongiem, z kt\u00f3rym wykona\u0142 seri\u0119 recitali z transkrypcjami utwor\u00f3w Bacha autorstwa Armstronga (m.in. w Konzerthaus w Berlinie oraz w siedzibie Radia Bawarskiego w Monachium).<\/p>\n<p>W\u015br\u00f3d ostatnich wyst\u0119p\u00f3w Bauera na scenie operowej warto wymieni\u0107 <em>\u017bo\u0142nierzy <\/em>Zimmermanna (Alvis Hermanis\/Ingo Metzmacher) i <em>Kawalera srebrnej r\u00f3\u017cy<\/em> Straussa (Harry Kupfer\/Zubin Mehta) w mediola\u0144skiej La Scali, kt\u00f3ry spotka\u0142 si\u0119 z bardzo ciep\u0142ym przyj\u0119ciem. \u015apiewak bra\u0142 udzia\u0142 w kilku prapremierach oper, otrzyma\u0142 r\u00f3wnie\u017c presti\u017cow\u0105 nagrod\u0119 muzyczn\u0105 Schneider-Schott. Wsp\u00f3\u0142pracuje blisko z Krzysztofem Pendereckim.<\/p>","protected":false},"excerpt":{"rendered":"<p>Thomas E. Bauer \u2013 rozchwytywany na ca\u0142ym \u015bwiecie baryton, specjalizuj\u0105cy si\u0119 w muzyce koncertowej. Wyst\u0119powa\u0142 na scenie z Boston Symphony (Bernard Haitink), Concentus Musicus (Nikolaus Harnoncourt), Leipzig Gewandhaus (Herbert Blomstedt, Riccardo Chailly i Sir John Eliot Gardiner), waszyngto\u0144sk\u0105 National Symphony (Ivan Fischer) oraz Orkiestr\u0105 Opery w Zurychu (\u00c1d\u00e1m Fischer). Niedawno, pod batut\u0105 Ingo Metzmachera, \u015bpiewa\u0142 [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":152,"comment_status":"closed","ping_status":"closed","template":"template-artist.php","meta":{"footnotes":""},"categories":[],"class_list":["post-1362","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/beethoven.org.pl\/artysci\/wp-json\/wp\/v2\/pages\/1362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beethoven.org.pl\/artysci\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beethoven.org.pl\/artysci\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/artysci\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/beethoven.org.pl\/artysci\/wp-json\/wp\/v2\/comments?post=1362"}],"version-history":[{"count":1,"href":"https:\/\/beethoven.org.pl\/artysci\/wp-json\/wp\/v2\/pages\/1362\/revisions"}],"predecessor-version":[{"id":1364,"href":"https:\/\/beethoven.org.pl\/artysci\/wp-json\/wp\/v2\/pages\/1362\/revisions\/1364"}],"wp:attachment":[{"href":"https:\/\/beethoven.org.pl\/artysci\/wp-json\/wp\/v2\/media?parent=1362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/beethoven.org.pl\/artysci\/wp-json\/wp\/v2\/categories?post=1362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}